It has been a hectic month of preparation for my upcoming trip to the States.
At the end of this month I will depart for Portland, Seattle, Chicago, Toledo, Carbondale, and finally St. Louis before returning to the lucky country. I will see friends and family, do some work and eat several tacos. I have also shipped over some work to SOFA Chicago. If you are in the tri-state area, come by and check out the show. Below are a couple shots of some work now in transit to Chicago...
At the end of this week, Mel and I will be en route to visit Toyama Japan. From there, Mel will come back to Australia and I will continue on to Portland, Pittsburgh, Louisville, Knoxville, and London before coming back down under. I will get to attend two of the three shows I will be in and that will open during my trip. Sadly, and economically, I cannot attend my opening in Berlin. Please check out the work here:http://www.nadaism.de/index.html
I would love to see you all out there, especially in Louisville at the G.A.S. conference. Here are some of the links to the galleries and events that I have been preparing to check out on my travels:
The Bridge Series was my first kilnformed series. It led me into the kilnforming work that I am doing now. It was also the first body of my work that I thought I could stand behind and approach a gallery with.
This series was developed from the years I spent at Bullseye Glass working in the factory and with their visiting artists. During my time there I didn't make any personal artwork except for the sketches in my sketch book. I instead focused on learning about my craft and helping some of the leading talents in the game create their own work.
I was lucky to have had the job I had. I knew if the artists I had helped had had their choice, I would have not necessarily been the one they wanted as their assistant. My position at Bullseye forced me to tackle many different tasks and expand my understanding of glass and art.
Near the end of my time at Bullseye, the company decided to have a show of the employees' personal artwork. I had been sketching bridge forms and thought I would make one for the show. Here is the original sketch from my sketch book:
The bridges are about connecting a situation with an outcome. Each one deals with a certain personal situation that is abstracted into a contained form. Some situations are built and connect well and some can not span the distance. The lines inside the pieces are firm and distinct. Their surfaces are gently burnished to give a sense of time and memory.
I started the series in 2001. This also was the same year that I left Bullseye. This series helped me define my focus with glass and also provided my start showing with the Traver Gallery and others.
However, my life changed and my focus shifted. I started a new chapter building my own studio. With a studio, my focus and periphery was filled. I could no longer just react to separate small situations. I began building Towers.
I have just returned from a fun weekend in Seattle where I had an opening at the Traver Gallery with Mel George and Deborah Horrell for a show we called "Portland Presence". We all reflected on our current connection with this great little city and our personal lives. I would like to thank all the individuals who helped us get the show together and the gallery for letting us put it on. Thank you.
I hope for my next post to scan some images from my sketch book and look back on how the Bridge Series came about....
